But one could feel that her emotions were progressive, complex, and logically discernible.
Especially when Bo Yan was beside her, witnessing the most genuine emotions.
In their first collaboration in "Storm", Xia Siyu played a deserted, enchanting madam. When she acted with him, she also showed emotion, but her emotions weren't as coherent and effortless as they are now; they were point-like, bursting out in a moment, but unfortunately, not connected.
By the time "Spring Light" came around, she learned to connect the dots into a surface, not only to exhibit complex emotions but also to build them up layer by layer, conveying her feelings. Between one shot and the next, you could distinctly feel, even if just from her face and expression, her mood and the different environments she was in. Moreover, she also joined Bo Yan in a half-month field research before shooting, integrating the local language and living habits into her performance.
