Luckily, shooting quickly resumed, or Qi Hao really didn't know if he might have some issues with software hardening.
The next scenes were much simpler.
Although there were some, um, physical movements, the camera no longer focused on faces but instead panned to the mountain stream.
This gave it a touch of aesthetic appeal.
After all, it's a film, not a low-budget flick.
Then Qi Hao and Wan Qian lay in the donkey cart, pulled by a donkey to the "exhibition."
The difficulty wasn't too high.
A donkey will naturally return to eat when it's hungry.
The only challenging part was training the donkey to untie the rope with its mouth. Despite the handler's many successful practices, it was still full of NGs.
Finally, it was completed through editing.
The shots of the cart along the road were no big deal; they mainly focused on the donkey and could be filmed from various angles.
