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Chapter 10 - The Vault of Names

The archive beneath the Knight estate wasn't just a library. It was a sanctum of secrets—a mausoleum built for the sins of the powerful.

Alexander led her deeper.

The lights flickered on in sequence, revealing rows of antique filing cabinets, biometric safes, and etched plaques on obsidian walls.

Each plaque bore a name.

And a number.

"What is this place?" Emily whispered.

Alexander paused before one of the walls. "This is the ledger of control. Every name etched here was either bought, betrayed, or buried by the Knight dynasty—or the Ashthornes."

Emily approached one of the plaques.

No. 0164 — Helena Marsh — Paid in Silence.

She moved to another.

No. 0389 — Everett Langston — Status: Removed.

Her stomach twisted.

"How could you keep this from me?"

"I was trying to protect you," Alexander said.

"No," she replied. "You were trying to protect the structure."

He didn't argue.

Instead, he pulled out a drawer and retrieved a weathered envelope. "Your mother left this. She slipped it into the archive days before she disappeared."

Emily took it.

Inside was a page torn from a medical journal, a photograph of a blood sample, and a note in her mother's delicate handwriting:

"The child carries the map. Not in her memory, but in her marrow."

Emily's hands trembled. "What does this mean?"

"It means," Alexander said slowly, "you were never just an heir or a pawn. You were the vault."

They returned upstairs in silence, but the house felt colder—its walls heavier with truth.

In her room, Emily examined the documents again. She searched the encrypted phone for traces of Project VESTA, but most of the files were sealed by biometric locks.

Not Alexander's.

Hers.

A notification blinked.

SCAN COMPLETE. ACCESS GRANTED.

A new file opened.

A video.

Her mother—Rhea Langston—speaks directly into the lens.

"If you're watching this, Emily, then you've found the vault. And you're in danger."

Her mother looked exhausted, eyes darting off-camera.

"Everything they built was designed to enslave bloodlines through manipulation, genetics, and power structures. But you… You were born outside their prediction. I tampered with the cycle."

Emily's heart pounded.

"You are the deviation," Rhea continued. "They'll want to use you. Or erase you. You must decide what becomes of the blood ledger."

The video ended abruptly.

Emily sat frozen, the phone slipping from her fingers.

Outside, a storm had begun.

Later, as lightning cracked across the skyline, Alexander found her on the balcony, drenched in thought.

"I saw her," Emily said without turning. "My mother. She left me a message."

"And now you know," Alexander said softly.

"I'm not just a piece on a board."

"No," he agreed. "You're the hand that can tip it."

She looked up at him. "Will you fight beside me—or against me?"

His answer came not in words, but in the way he reached for her hand and held it tightly—like a man ready to choose rebellion.

The rain tapped softly on the windows of the estate, but inside the drawing room, the atmosphere crackled with tension.

Emily stood at the centre, her arms folded, her posture unyielding. Across from her sat Benedict Ashthorne, legs crossed casually, as if he owned not just the seat but the entire estate. His smile was sharp—too smooth to trust.

"You're bolder than they warned me," he said, swirling the amber liquid in his glass. "But boldness burns fast when it isn't tempered."

Emily didn't flinch. "And yet you showed up, uninvited, just to deliver metaphors. Either you're nervous or you're bored. Which is it?"

Benedict chuckled, low and amused. "I came to see the girl who thought she could walk into the lion's den and tame the beasts with her name alone."

"I didn't walk into it," she replied coolly. "I was dragged."

"And now?"

She stepped forward. "Now I'm the one holding the leash."

The amusement vanished from his expression, replaced by a calculating stillness.

"I underestimated you," he admitted. "Mistake I won't make again."

Emily tilted her head. "Good. Because I don't repeat myself either."

Later, Alexander found her on the veranda, arms resting on the marble balustrade as the rain misted the air.

"You met with Ashthorne without telling me?" he asked, voice low but sharp.

Emily didn't turn. "I handled it."

"That's not the point."

She looked at him then, her gaze unwavering. "You want me to play this role—Mrs. Knight. But every move I make, you second-guess it. What exactly do you want from me, Alexander?"

He exhaled, stepping closer. "I want to trust you. But this world isn't merciful, Emily. One wrong move—"

"I know," she cut in. "But I didn't marry into this to play a puppet. If I'm going to stand beside you, then I need to be allowed to fight like you."

There was silence between them, heavy with unsaid things.

Then Alexander said quietly, "He threatened you."

She nodded. "He tried."

Alexander's jaw clenched. "And?"

Emily turned to face him fully. "And I let him see that I'm not afraid of the fire. Because I've already walked through worse."

That night, in the privacy of his study, Alexander stared at a file—Ashthorne's movements, new players arriving in the city, subtle power shifts.

Emily's name was on the radar now.

She was no longer invisible. No longer protected by anonymity.

He closed the file slowly, leaned back, and whispered to himself,

"If you burn, I burn with you."

The war had begun—and the rules were no longer his alone.

The next morning began in silence.

Emily woke to find Alexander already gone. A tray of untouched breakfast sat on the table, steam long faded. It wasn't unusual for him to leave early, but today, the quiet felt different—measured, distant.

She knew why.

Last night's confrontation had changed something.

She wasn't just a pawn anymore. She had become part of the gameboard—and that came with consequences.

Downstairs, she found Margaret in the conservatory, tending to the orchids.

"He didn't sleep," Margaret said without looking up. "Came in late. Left earlier."

Emily walked further in. "Is he angry?"

Margaret clipped a dead bloom and tossed it into a silver tray. "He's worried. And he's thinking. That's always more dangerous."

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