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Chapter 12 - Chapter Twelve: The Hand Behind the Veil

Long before Elegosi's neon lights and glass towers began casting long shadows across Odogwu's life, Amaedukwu had whispered secrets into his bones. And though he now walked in cities that pulsed with ambition and betrayal, the echoes of his father's proverbs still anchored him.

"Never chase a lion with bare hands, unless you are sure the lion is wounded." Orie had said that one dry season afternoon, as they watched two stubborn rams lock horns by the cassava barn.

It was a memory Odogwu returned to now, because the lion in front of him wore perfume and smiled through emails.

An anonymous tip had arrived the previous evening—a data trail tracing back to a shell company suddenly investing in smaller hospitality startups around Ifelo and Obodo Ike. The name behind the shell? Ezebunna Capital. The face behind it? Madam Bolade's former deputy at Omeuzu, Chief Oguanya.

Odogwu sat still in his study as the information sank in. The Chief had never liked him. At Omeuzu meetings, he would lean back, stroke his gray beard, and say, "Your ideas are sweet, young man. But we're not running a folklore club."

Apparently, the Chief had not just mocked his vision—he was now quietly planting seeds to suffocate it.

That night, Odogwu stood on his balcony overlooking Elegosi. A soft drizzle fell. He thought of Amaedukwu. Of the way his father used to walk through their yam fields barefoot, saying, "You must feel the earth with your skin, so your dreams don't become clouds."

He had come so far from those days. But had he left too much behind?

The next morning, Odogwu called for a meeting.

Ngozi. Una. Zuru. Aisha. Two former Omeuzu whistleblowers now working with him. They sat around a long wooden table in a room that smelled of fresh bamboo and brewed kola.

"There is a hand behind the veil," he began. "And that hand knows how we move. It knows because it trained many of us."

They listened. Quietly. Intently.

Una was first to speak. "Do we fight? Or do we pivot?"

Odogwu shook his head. "Neither. We root deeper. Like the Iroko. We go where the axe cannot reach."

 

The counter-strategy wasn't flashy. It was cultural.

While Oguanya funded resorts with glass walls and imported chefs, Odogwu doubled down on heritage. He launched the Amaedukwu Fellowship—a cultural immersion program that allowed young Africans from across the continent to live in rural communities, learning language, food, craft, and storytelling.

"Don't just book a room," the campaign said, "book a grandmother."

The first fellowship cohort included a Ghanaian culinary student, a Kenyan vlogger, and a Togolese textile designer. They returned transformed—crying at the airport, promising to carry Amaedukwu's spirit back home.

Media coverage exploded.

CNN Africa. BBC Pidgin. Even The Guardian UK ran the headline: "Can Cultural Memory Save Tourism in Africa?"

But Odogwu wasn't chasing headlines.

He was protecting something older than profits—dignity.

 

Meanwhile, Chief Oguanya struck back.

He lobbied regulators to question Oru's funding sources. Anonymous blogs accused Odogwu of spiritual manipulation and cultural exploitation. One article even called him "the story slaver."

Odogwu laughed when he saw it.

"My father would say, 'When the wind dances with dry leaves, it is not love. It is fire.'"

But the team around him grew uneasy.

Ngozi said, "We need to sue."

Ebube said, "We need to curse them."

Zuru said, "Maybe the birds can deliver warnings."

But Odogwu said, "We do what Amaedukwu taught. We stand still. Let the storm pass. And then we plant again."

 

One night, Aisha returned from a documentary trip to Oru's second site in Isiakpu. She handed Odogwu a package wrapped in raffia.

"What is this?" he asked.

"Your inheritance," she said.

Inside was a small clay pot. Brown, chipped, sealed with wax. A note attached read:

"This belonged to Orie's father. He buried it in 1969. Said it held the words he never dared speak."

Odogwu took it to his study. Sat cross-legged. Opened it.

Inside was a scroll. Faded. But readable.

"To my sons and their sons: Never build for applause. Applause dies. But if you build with truth, your hands will not tremble, even when your name is cursed."

He wept.

Not for pain.

But for confirmation.

 

From that night, he knew: the hand behind the veil could tug, could tighten, but it could not strangle the spirit of Amaedukwu.

The Iroko had risen. Its roots were now everywhere.

And the shadow knew.

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